Click the image above to go to the video website. They’re ready to play! A number of things conspired to move our launch date up from March 1st (which was seriously sandbagging anyway) to TODAY, including a pretty kick-ass web design group that came in way ahead of schedule.
So, without further ado — we’re launching. Registration is $175, gets you unlimited streaming access to all 21 videos (about 3 hours’ worth). Here’s the table of contents:
- Start Here
- Use This
- Let’s Take a Walk
- Wake Up
- Look Out!
- Living Large
- Dinner Party
- Let’s Flush This Out
- Eat at Joe’s
- Here and Here and Here and Here
- Wide Open Spaces
- Into the Night
Then come seven “shorts” (plus an introduction) covering little tips and tricks that were too long to include in a “regular” episode, but too good to just leave out altogether. Stuff like mirror reflections, color casts from yellow walls, stainless steel, etc. etc.
I think it’s pretty comprehensive. People looking to be told what exact exposure settings to use, or what flash power settings, are going to be disappointed, because these videos concentrate much more on the process, the strategy, behind those decisions, rather than just reciting whatever was going on in any one particular shot. That sort of thing is useless, in my opinion, because no two situations are the same. Better to understand the why of what to do, rather than what someone else did, in some other room.
So the early episodes go into exhaustive detail about what’s going on. As we progress to the more challenging stuff, I drop some of the basic stuff and focus on what’s new and unique to the situation. Whenever possible, I present a simple one or two-light solution, and then build to a more elegant solution.
I hope you like them. Malia Campbell and I put in a TON of work on this. Many, many two and three-hour Skype calls, hours of writing out detailed episode treatments, lots of favors called in from clients (we got some outstanding locations), and some brutally long days of shooting and editing. Malia did a stellar job of capturing the rooms, and the process, and kept me from rambling incoherently and diluting the message (as I’m prone to do). We’d do a take, and I’d be like “That was great!”. Malia would shake her head, and say, “Do it again. Leave out the crap about _____ and ______ — that’s off-topic. Stay with what you’re doing here, now. Ready? Rolling!”
And we’d do it again. And again. Until we had something that was clear, concise, and really illustrated the point I wanted to make.
I hope you like them. Let me know what you think in the comments!