Lynda.com just published two more courses in my Real Estate Photography series — “Kitchens” and “Twilight Exteriors“.
These are arguably the 2 most important shots a real estate photographer makes. The kitchen is certainly the room where the most remodeling dollars get spent, and it’s nearly always a “money shot” even when it’s not snazzy. And for sheer sex appeal, it’s hard to beat a good twilight exterior with a vivid deep saturated sky and glowing windows and soft glamour light everywhere.
Perversely, these are often the two shots photographers struggle with the most, and so in these two courses I’ve laid out the strategies I follow to really make the most of these opportunities. In the kitchen episode we discuss styling, lighting, and composition to show off the room at it’s best, and (dare I say it) we get a pretty doggone good result, in a kitchen that is frankly not a prize-winner. And in the twilight episode (which I have not yet watched….maybe this weekend) I go for two photos in one night, which involves (literally) some running around.
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The latest installment in a series of real estate photography courses I’m making with Lynda.com went live just a few days ago — this one has some pretty cool stuff in it!
This one is called “The Basics” and it’s coverage of an entire shoot, start to finish. I traveled down to Ojai California and we spent an entire week filming to get this 3+ hour video. In it, I take you through excruciating detail on the pre-shoot walkthrough, shooting the small easy rooms, shooting the more complex living room/family room, shooting the kitchen, and then the rear and front exteriors. There’s even a post-production video or two, showing what I did to re-touch some of the images.
Maybe the best part is the living room section, in which I made the same shot 3 times in a row — but with a stopwatch running each time. In the first go-through, I make a 60-second photo – this is the ultimate “Run-n-Gun” shot. Next, I pull everything back and re-shoot it, but with a more generous 5 minutes. And finally, I shoot the room but with a luxurious 15-minute clock running. I think it’s a pretty good example of just what the difference is between “Fast” and “Good”, and just what it is we do differently when we have more time. It’s worth noting that in my usual work, it’s not unusual to spend 2 hours on a single photo, and many photographers measure photo production in days, not minutes!
There are a couple more courses currently in the editing phase with Lynda, and we’re discussing future ones, so stay tuned.